We’ve been hosting Darkroom meetups for over 8 years – bringing the film community together everywhere from San Clemente, Los Angeles, and Joshua Tree to Chicago, Atlanta, Columbus, San Diego, and Austin. With Seattle being one of the most requested cities on our list, we’re thrilled to finally make our way to the Pacific Northwest.

The Darkroom is heading to Seattle, Washington, for the next stop in our Darkroom City Tour series on Saturday, October 18, 2025. In conjunction with our partners at Pentax and Harman Photo, we’ll be teaming up once again with our friends at Beers & Cameras for two exciting meetups and one big community photo walk.

Seattle has an incredible creative scene, and we’ve heard so many great things about the film community there. We can’t wait to connect, shoot, and celebrate film photography together – whether you’re a longtime shooter or just starting out with film, we’d love to see you there.

Ferries on Film Meetup – Oct. 17th, Friday, 1 PM

Join us for a Ferries on Film meetup on Friday, October 17, 2025. We’ll gather at 1:00 PM inside the Seattle Ferry Terminal to purchase tickets, then at 1:30 PM kick things off with introductions and a group photo with the film crew before boarding the 2:05 PM ferry to Bainbridge Island, shooting film and connecting with the community while taking in incredible views of the Seattle skyline on our way across!

More info & tickets Here!

Oct. 18th, Saturday, 1-3 PM

Join us for a Seattle Photowalk on Saturday, October 18, 2025, from 1–3 PM. We’ll meet at Olympic Sculpture Park near the main pavilion and then make our way north along Alaskan Way, stopping to shoot film, connect, and celebrate the PNW film community.

Note: We’ve moved the walk from Capitol Hill to Olympic Sculpture Park due to a scheduling conflict.

Get tickets & more info here!

Beers & Camera Meetup – Oct. 18th, Saturday, 5-8pm

Join us upstairs in the mezzanine at Stoup Brewing – Capitol Hill for our Beers & Cameras meetup. Tickets are limited to just 120 and will go fast.

Tickets are $25, and each attendee will receive a goodie bag filled with Darkroom merch and more. We’ll also have raffle prizes from The Darkroom and our event partners, Pentax & Harman Photo!

Get tickets & more info here!

The Darkroom Film Crew:

Sissi Lu – IG @sissi_lu YT – @sissi_lu TikTok – @sissi_lu

 A New York-based photographer whose work explores the themes of memory, family, and human connection, through the lens of analogue photography. In addition to her still photography, Sissi shares her passion and insights with a diverse and engaged community through her videos on TikTok, Instagram, and YouTube. 

Jason Kummerfeldt – IG  @50_shades_of_jason YT  GrainyDays

Beloved by few and hated by most, Jason Kummerfeldt is a California-based YouTuber and “photographer” with almost a decade of film photography under his belt and nothing good to show for it. He also owes me money.

Caleb Knueven – IG @calebkneven – YT  Bad Flashes

Caleb was born on the fringe of society, destined to explore the abandoned world around, longing for the stories that seep from the peeling painted walls! Photography is exploration, is freedom, is life! He loves long walks on the beach with his M6, a finely crafted cup of coffee, atomic fireball candies and BBQ just to name a few. 

Jonathan Paragas – IG @kingjvpes – YT kingjvpes

Jonathan Paragas also known as KingJvpes online is a film photographer based out of the San Francisco, Bay Area. He started shooting film in 2016 and has since created a YouTube channel to help other photographers learn how to shoot film. With a passion for documenting our current time, Jonathan focuses his attention and time to street photography to create a lifetime body of work. 

Juan Martinez – IG @beersandcameras

Juan Carlos Martinez is a passionate photographer who rediscovered his love for the  A passionate photographer who rediscovered his love for the craft after the birth of his kids. He founded Beers and Cameras after organizing casual meetups with friends at breweries. Now with chapters across the U.S., B&C has become a community for photographers who love connecting with like minded individuals.

Trev Lee –  IG @trevlee / @thedarkroomlab

 An Ohio-based photographer who enjoys documenting everyday life on film. Trev is the Director of Marketing at The Darkroom, where he’s spent the past nine years helping grow and connect the film photography community. Through both his personal work and his role at The Darkroom, he’s passionate about keeping film photography alive and accessible.

Event Essentials:

Local Travel & Weather Tips

• Sunrise & Sunset: Expect sunrise around 7:30 AM and sunset near 6:00 PM in mid‑October—ideal for capturing golden hour shots.
• Typical October Weather: Daytime highs hover around 60 °F (16 °C), dropping to lows near 45 °F (7 °C). Rain is common, so bring comfortable walking shoes, layered clothing, and a rain jacket. We’ll keep an eye on the forecast and pass along updates.
• Best Airport: Fly into Seattle–Tacoma International Airport (SEA) — it’s conveniently connected, with a short ride to South Lake Union via car or public transit.

Capitol Hill Hotel Recommendations (Affordable & Walkable)

1. Sonder The Boylston – A sleek, 3.5-star boutique hotel offering modern amenities and centrally located. Rates from approximately $106/night. 
2. Sonder Pivot Apartments Capitol Hill – Spacious, apartment-style accommodations ideal for groups or longer stays. Prices start around $141/night.
3. Cecil Bacon Manor (Bed & Breakfast) – Charming B&B with excellent ratings (~9/10), featuring free breakfast and self-parking. Rooms start near $219/night.
4. Foxglove Inn (B&B Suites) – Cozy and highly rated (~9/10), with suite-style rooms in a lush setting. Rates from approximately $150/night.
5. Capital Hill Little Oasis – A wallet-friendly suite-style stay with listings as low as $66/night on select dates. Great value for savvy bookers.

Follow @thedarkroomlab & @beersandcameras for updates!

The post The Darkroom City Tour: Seattle 2025 appeared first on The Darkroom Photo Lab.

Affordable Rangefinders That Can Hold Their Own Against Leicas

Rangefinder cameras have long been associated with Leica which still makes rangefinder to this day and are known for their amazing build quality and incredible M-mount lenses but Leicas rangefinders often cost well over $1000 USD, putting them out of reach for many film photographers. And unfortunately, most rangefinder cameras with interchangeable lenses, like; Canon, Nikon, Voigtlander, and Contax are relatively expensive these days.

The good news? You don’t need to spend Leica money to enjoy the rangefinder experience. In fact, there are several excellent fixed lens 35mm rangefinders that offer amazing image quality, fast glass, and compact bodies – all for under $300.

While these cameras don’t offer the lens swapping versatility of an M-mount Leica, they can hold their own in terms of image quality – especially if the lens is clean, the rangefinder is aligned, and you’re nailing focus. Most of the cameras we’ll be talking about feature lenses in the 35mm to 45mm range, which is perfect for everyday photography, travel, and street photography.

Here at The Darkroom, we develop, scan, and print film from these cameras all the time – using traditional dip and dunk processing and the results are consistently impressive.

1. Canon Canonet QL17 GIII

• Price Range: $150–$300
• Lens: Fixed 40mm f/1.7
• Type: Full manual camera with battery powered meter.
• Why We Love It: Often called the “Poor Man’s Leica,” the QL17 GIII has one of the fastest lenses in this category and a whisper quiet leaf shutter. Canon’s Quick Load system makes it super easy to load film, and the camera offers both shutter priority auto and full manual control. It’s compact, classy, and capable in low light.

2. Olympus XA

• Price Range: $150–$250
• Lens: Fixed 35mm f/2.8
• Type: Electronic (aperture priority)
• Why We Love It: This tiny clamshell camera is a true rangefinder with a tack sharp lens, aperture priority metering, and nearly pocketable size. Beloved by street photographers (including Jonathan Paragas, who features it in his video on this blog), the XA is discreet, durable, and delightful to shoot with.

3. Yashica Electro 35 GSN

• Price Range: $125–$200
• Lens: Fixed 45mm f/1.7
• Type: Electronic with aperture priority
• Why We Love It: This smooth operating, battery powered rangefinder offers an incredibly bright viewfinder and a stellar lens. It’s aperture priority only, but the lens renders beautifully and performs great in low light. This camera is the largest of our top picks but with its beautiful design and amazing image quality, it’s one the most fun to shoot with on our list.

4. Minolta Hi-Matic 7sII

• Price Range: $250–$300
• Lens: Fixed 40mm f/1.7
• Type: Electronic with manual override
• Why We Love It: A compact sleeper hit. The Hi-Matic 7sII has a fast Rokkor lens and both automatic and manual settings great if you want some control but still like the option of auto exposure. Sharp, quiet, and ideal for travel.

5. Konica Auto S2

• Price Range: $150–$250
• Lens: Fixed 45mm f/1.8
• Type: Mechanical with built in meter
• Why We Love It: One of the most underrated rangefinders around. The Hexanon lens is sharp, and the camera handles beautifully. Slightly larger than others on this list, but well worth the space in your bag. Featured in Jonathan Paragas’ video for good reason – this one’s a gem.

Honorable Mention: Olympus 35 RC

• Price Range: $125–$200
• Lens: Fixed 42mm f/2.8
• Type: Electronic with full manual
• Why It Deserves a Shout: One of the smallest rangefinders with both auto and manual settings, and a sharp lens to match. Lightweight, simple, and often overlooked. Great for street shooters or anyone who wants a no-fuss film companion.

Fixed Lens Rangefinders: Why They’re Worth It

Fixed lens rangefinders are more affordable, simpler to use, and plenty sharp – often with lenses in the 35–45mm range that cover most shooting scenarios. And when the rangefinder mechanism is accurate and your film is developed well, these cameras deliver image quality that’s hard to distinguish from much pricier models.

If you’re curious about the rangefinder experience but don’t want to spend thousands, these five cameras are an amazing place to start.

Final Thoughts

Whether you’re just getting into film photography or looking for something compact and quiet to complement your SLR, fixed-lens 35mm rangefinders offer a ton of value. They’re light, sharp, and discreet – perfect for documenting daily life, capturing travel moments, or experimenting with classic film stocks, like: Kodak Tri-X 400, Ilford HP5 Plus 400, Kodak Portra 400, and more!

And when you’re ready to develop your film, The Darkroom has your back. We’re a traditional dip and dunk film lab that develops, scans, and prints all film formats – and we’ve seen thousands of rolls from these cameras come through our lab with stunning results.

Ready to give one a shot?
Watch Jonathan Paragas’ video below where he reviews the Olympus XA and Konica Auto S2 – two rangefinders that prove you don’t need a Leica to create beautiful work!

The post Top 5 Best 35mm Rangefinders Under $300 appeared first on The Darkroom Photo Lab.

Harman Photo has released the second generation of its color negative film: Phoenix 200 II. This is one of the most exciting developments in modern film photography – a thoughtful evolution of the wild, experimental Phoenix 200. While the new version retains much of the original’s bold, artistic character, it brings noticeable improvements in performance, consistency, and versatility. The original Phoenix 200 was known for being hit or miss, but when it worked, the results were pretty good – earning it a cult following among photographers drawn to its distinctive, one-of-a-kind aesthetic.

Introducing Phoenix 200 II – Refined, Yet Still Unique

Released on July 16, 2025, Phoenix 200 II is more than just an update – it’s a complete reworking of Harman’s first attempt at color film. While it keeps the artistic edge that made the original stand out, this new version addresses many of its technical challenges, making it more forgiving, versatile, and better suited for a wider range of shooting styles. It’s still uniquely Phoenix – but now it’s more usable than ever.

• More forgiving exposure latitude: Much easier to meter and handle in varying lighting conditions
• Improved shadow detail: Better exposure latitude and lower contrast make it more versatile
• Refined grain: While still noticeable, the grain is less harsh than before
• Subtler color rendering: Still unique but more balanced, especially in skin tones
• New color palette: Slight magenta shift helps offset the original’s extreme warmth

This new version is better suited for portraits, with more natural skin tones and smoother tonal transitions. It retains a unique character but is now more accessible to a wider range of photographers.

Side by Side Comparison: Phoenix 200 vs. Phoenix 200 II

In our blog, you’ll find a dedicated section comparing side by side results from the original Phoenix 200 and Phoenix 200 II, including both 35mm and 120 format images.

While taste will always be subjective, our team prefers Phoenix 200 II – especially in 120 format, where the results are even more refined and consistent.

A Brief History and Why It Matters

When Harman Phoenix 200 first launched in late 2023, it marked a major milestone: the first brand new color negative film created entirely from scratch in over a decade. Developed by Harman – the same company behind the iconic Ilford black and white films – Phoenix 200 wasn’t just a repackaged emulsion. It was something completely original.

What made the original Phoenix 200 stand out was its bold and experimental character. It featured:

• High saturation with a strong lean toward warm tones
• Very noticeable grain for a 200 ISO film
• Low exposure latitude, making accurate metering essential
• Funky and unpredictable color shifts that some photographers loved – and others didn’t

For many, Phoenix 200 was a hit or miss film. But when it hit, it created images unlike anything else being made. Its wild, artistic look quickly found a cult following among photographers who love pushing creative boundaries.

But perhaps what matters most is that Harman didn’t stop there.

Even if Phoenix isn’t your go to film, it’s hard not to admire what Harman is doing. The fact that a major film manufacturer is actively researching, developing, and releasing new color film in 2025 is a huge win for the film photography community. Every new version they release is a reminder that film is not just surviving – it’s evolving.

This kind of innovation and dedication gives us hope that film photography has a bright future ahead.

Final Thoughts

If you’ve been thinking about trying Phoenix 200 II, now is a great time to jump in. This second-generation color negative film from Harman builds on the bold, experimental legacy of the original while offering real improvements in exposure latitude, shadow detail, and overall usability. Whether you’re shooting portraits, landscapes, or just exploring creatively, Phoenix 200 II delivers a look that’s unlike anything else currently being made. It’s expressive, atmospheric, and a little unpredictable – in the best way. And thanks to the Film Photography Project, you can pick it up FilmPhotographyStore.com for less than any other retailer online.

We’ve been working closely with this film since the original version launched, and over time we’ve fine-tuned our development and scanning process to help bring out its best qualities. All Phoenix 200 II rolls developed at The Darkroom are scanned on our Noritsu HS-1800. Whether you’re new to Phoenix or giving it another shot, we think you’ll be pleasantly surprised by the results.

This film might not be for everyone, and it’s definitely not a “safe” choice – but that’s what makes it special. In a world of polished, predictable stocks, Phoenix 200 II stands out. It’s a reminder that film photography is still evolving – and that companies like Harman are investing in its future. If you shoot a roll, don’t forget to tag us on Instagram @thedarkroomlab – we’d love to see what you create.

The post Harman Phoenix 200 II – A New Chapter in Color Film appeared first on The Darkroom Photo Lab.

Pushing & Pulling is a technique used to Pushing and pulling is a technique used during film development to compensate for under or overexposure – giving you more control in tricky lighting or for creative effect. It’s important to note that pushing and pulling only occur during processing. Regardless of what ISO you shoot your film at, it’s not technically considered a push or pull unless development times are adjusted to match. If you shoot at a higher or lower ISO but don’t push or pull during processing, it’s simply under- or overexposed. Because this can be a confusing concept to start, our latest article explains when and why to push or pull, how to meter and shoot, and what to expect from different film types. We’ve also included helpful tips, sample photos, and recommended films. If you do push or pull, be sure to clearly mark the push amount on the film canister and select it when placing your order at TheDarkroom.com.

Everything you need to know about Pushing & Pulling Film!

There are many variables that will affect the results of pushed or pulled film, like; the light you’re shooting in, metering, and film type.

Scene light – pushed film will typically do better in even light since it can have increased contrast.  A scene with very harsh/contrasty light isn’t always ideal for pushed film because it’ll make it harder to keep your highlights from blowing out and reduce shadow detail.  If you have enough light we recommend no push as box speed will typically preform best but if the light is very dark and you need an extra stop or two of light to get a good exposure with a shutter speed of over 60th, then a push can come in very handy.

Accurate metering always helps.  If you underexpose your shots you have increased grain, less detail in the shadows and mid-tones, and you may experience an unpleasant color shift with greenish shadows and off-color skin tones. So if you are shooting, say 400 iso film as 800iso then you will meter it as 800iso and it is till good to err on overexposure by metering for the shadows.

Film type – B&W is the most commonly pushed film and pushes the best as you wont have any color shifts.  Typically lower contrast film stocks like Ilford HP5 400 or Kentmere Pan 400 push very well compared to Kodak Tri-X 400 which which has higher contrast without a push.  Both color negative film and slide film can be pushed but know that there will be increased contrast, saturation, color shifts, and more noticeable grain and some color film will push better than other, especially Cinestill film which is designed to be pushed.

The best way to understand the effects of pushing is to push your favorite film in various lighting and see how it performs, take notes and over time you’ll get to know how that film reacts to pushing and pulling and what its limitations are.

What’s in this article?

Reasons to Push/PullTerminologyPush/Pull ChartPushing Cinestill 800T

How to shoot pushed or pulled film

ShootingDeveloping
Photo ExamplesCapturing Dark ScenesRecommended Films

---

Reasons to Push or Pull Film

Push – Low light and shutter speed not suitable for handheld photos. Low light is the most common reason people push. As a guide, when shooting handheld with an SLR, it’s best to keep your shutter at or above 60th of a second. With a rangefinder, you want to stay at or above a 30th of a second shutter speed—for anything lower you should either use a tripod or push your film a stop or two.
Push – Creative effects – Pushing is a fun way to change the look and many people push B&W and color film to get more contrast and increased grain – the more you push it the more contrasty and grainy your photos will be. Color film will have more saturation and possible color shifts.  
Push – An overcast day or the sun is going down. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400.
Pull/Push – You didn’t change the speed on your camera. You shoot 400 film at 100 ISO. Develop it at 400 (-2 Stops) and your photos should come out fine.
Pull – Sunny, bright, and high-contrast light. Pulling film reduces contrast and brings out details in the shadows.
Pull – Creative effects – Pulling film mutes colors and flattens the image with less contrast.

---

Terminology and Reference

ISO / Film Speed

Often referred to as film speed, ISO is a measurement of light sensitivity.

Lower numbers represent less sensitivity to light.  “Slow” film (low ISO) is a finer grain film, needing less light but requires a slower shutter speed, while “Fast” film (higher ISO) has more grain, a higher sensitivity to light, and can be used with fast shutter speeds.

What is a “STOP”

A stop is doubling or halving the amount of light let in when taking a photo.

A stop is a common term in photography and important in the pushing and pulling process, especially when you complete the film processing form. 400 ISO film set at 800 on your camera is 1 Stop (+1) underexposure because it’s doubled. But if you put 400 ISO film as 200 on your camera – that would be a 1 Stop (-1) overexposure because you halved it.

Push and Pull Chart

This chart simplifies how many stops a film is pushed or pulled when changing the ISO. For example, 400 ISO film set at 800 on your camera is 1 Stop (+1).

HOW TO SHOOT PUSHED OR PULL FILM

There are 2 parts to pushing or pulling film… 1) Shooting the image and then 2) developing the roll at the lab. This section details how to shoot and develop pushed or pulled film.

1) Shooting – Pushed/Pulled Film

To start, you will need a camera that allows you to manually change your ISO.  When pushing or pulling you simply set your camera or meter to the desired speed (different than the film speed) and shoot the film as you normally would. Pushing film

Pushing film

Most common in low light situations the film ISO or speed isn’t fast enough to shoot at box speed or suitable handheld shutter speed. Increasing (pushing) the ISO a stop or two allows you to shoot at a faster shutter speed or with a smaller aperture to increase the depth of field. Pushed film has increased contrast in the lighter areas with minimal effects on the shadows. To preserve the details in the shadows, make sure to meter for medium to darker areas of the image.

If you have 400 ISO film and you set it as 800 on your camera, that will be a 1 stop underexposure. When you are finished with the roll, write “+1” on the film cartridge and the order form so the lab knows to push it a stop in development.

Pushing Characteristics: 

Increases film contrast, More grain, Lightens Image When developed bright areas become lighter, but shadows stay more or less the same—increases the contrast and grain of the film.

Pulling film

While the pulling technique can be done on color film, it’s not recommended and it’s almost exclusively done with a black and white film.  Most people pull film in sunny, bright, or high-contrast light.  Pulling decreases contrast, but brings out details in the shadows.

If you have 100 ISO film and you set it as 50 ISO on your camera, that will be a 1 stop overexposure. When you are finished with the roll, write “-1” on the film cartridge and the order form so the lab knows to pull it a stop in development.

Pulling Characteristics:

Less contrast with increased details in shadows, flat and overall dull negative, darker image.

---

Metering Tip – The most common mistake we see with regular and pushed black & white film is underexposure.  When it comes to metering for color negative – and especially black and white film – be mindful of what you’re metering for. We recommend metering for the shadows in even light and metering for the mid-tones in high-contrast light.  This will help you get better details in the shadows. Mark your film – Once you’re done with the roll, be sure to write the push amount (+1, +2, etc.) on the film cartridge with a sharpie so the lab knows that it needs to be pushed. Also, select and write in the push amount on the order form. This will help ensure proper development in the lab.

---

2) Developing – Push Processing & Pull Processing

When the film is developed, Pushed film is left longer in the developer and Pulled film shorter, compensating for the different ISO setting, underexposing or overexposing film. Because Push and Pull processing time matters, it’s important to give instructions to the film lab and have the canister marked.

If you shoot 400 ISO film as 800, that is a 1 stop underexposure which will require a 1 stop push in development by processing it as an 800 ISO film. If you shoot a roll 1 stop under-exposed and don’t push in development, your photos will be under-exposed.

---

How We Push and Pull Your Film at The Darkroom

At The Darkroom, we make pushing and pulling your film easy and accurate thanks to our traditional dip & dunk processing method. Unlike automated machines, dip & dunk allows us to customize development times for each roll – perfect for handling push and pull requests.

Whether you’re pushing a roll of black & white film two stops in low light or pulling it for high-contrast scenes, our team adjusts the development process accordingly. We develop all film types – Black & White, Color (C-41), and E-6 Slide Film – with black & white being the most commonly pushed.

Because dip & dunk doesn’t involve rollers or physical contact with your film, it’s also one of the safest and cleanest ways to develop film—ideal for preserving sharpness and image quality, especially when pushing or pulling.

Just mark your roll (+1, -1, etc.) and note the push/pull amount on your order. We’ll take care of the rest.

Push and Pulled Film Examples

Click on image to view details

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

Other examples of pushed film:

• pushing Kodak Tri-X 
• pushing T-Max 400
• pushing T-Max 100
• pushing Kodak Ektar 100
• pushing Ilford HP5

• pushing CineStill 50D
• pushing CineStill 800T
• pushing Fujifilm Pro 400H
• pushing Ilford FP4 Plus

---

Dark Scenes

Dark scenes like this can be hard to photograph which why you often need to push your film or have a very fast lens, and in this case, both were needed! This is Kodak Tri-X 400 shot as 800iso and pushed 1 stop in development.  It was taken with a Leica M5 and a super-fast Voigtlander Nokton 35mm f/1.2 that @kehcamera sent us!  This combination, along with a rangefinder that allows you to shoot at slower handheld shutter speeds is ideal for lowlight shooting.  All three of these were shot wide open at f/1.2 and produced very sharp results – we’re loving this lens so far and will be sharing more results in the future!

---

The Best Films for Pushing

While nearly all film types can be pushed, some have better results than others. Generally, pro-grade film stocks that have great exposure latitude will be best for pushing.

Pushing B&W film

True black and white film is the best and most common type of film to push.  Pushing film will both increase the film grain, making it more noticeable, and will add more contrast to your photos.  In fact, many people push black and white films solely to get more contrast out of certain film stocks.

• Recommended film stock to try – Tri-X 400 & Ilford HP5 plus.
  Kodak Tri-X or Ilford HP5 – See a comparison of the two films

Pushing Color negatives

Color negatives are the second most commonly pushed film.  Pushing color negatives results in slight color shifts from increased contrast. Grain is also more noticeable.

• Recommended film stock to try – Portra 400 & Fuji Pro400H
  View sample of pushed Portra 400

Pushing slide film

E-6 slide film is the least common film to push but can be pushed with good results. As with color negative film, you will see an increase, in contrast, possible color shifts, and slightly more noticeable grain.

• Recommended film stock to try – Provia 100f & Velvia 100
  View sample of Pushed Velvia 100

The post How to Push & Pull Film appeared first on The Darkroom Photo Lab.

A Year with the Pentax 17 & the Rise of Half-Frame at The Darkroom Lab

What is Half Frame Film Photography?

Half frame film cameras shoot vertically oriented images using only half of a standard 35mm frame. This means you get twice the number of shots per roll – a 36 exposure roll gives you 72 images.

Benefits of half-frame:

• Double the exposures per roll = major cost savings
• Lightweight, portable cameras make them great for travel
• Excellent for casual, everyday photography or companion use with another camera
• Surprisingly good results when properly exposed and scanned

Trade-offs:

• Each frame is literally half the size = lower resolution
• Less shallow depth of field
• Not ideal for large prints or heavy cropping

If you’re shooting primarily for social media, websites, or digital use, half frame is a fantastic option. And with a good lab (like ours), prints up to 8×12 or even 11×14 can still look amazing.

The Pentax 17: One Year Later

The Pentax 17 isn’t just the newest half frame camera- it’s arguably the best we’ve used.

Why we love it:

• Sharp lens with updated modern coatings
• Surprisingly durable build, despite its plastic feel
• Accurate metering that helps us get the best possible scans
• Zone focus is easy to master with a bit of practice
• Great for candid, casual moments, as well as travel

It’s a standout choice for film enthusiasts and professionals who want more frames per roll without sacrificing image quality. We’ve printed images up to 12×18 from this camera and been seriously impressed by the results.

Best film for the Pentax 17?
We recommend finer grain film like iso 100 or 200 for optimal sharpness. Think: Kodak Gold 200, Fujifilm 200, or even Ektar 100 if you’re chasing vibrant color and detail.

Scanning Half Frame Film at The Darkroom

We’ve spent the past year improving our workflow to give half frame shooters the best possible results.

Here’s how we scan half-frame film:

• One-up scan = each frame is scanned individually (recommended)
• Two-up scan = two frames scanned as a pair (ideal for storytelling)

For best results, we recommend choosing our Enhanced or super scans and we feel that our Enhanced scans are the best balance of cost and resolution.

Once your scans are ready, you’ll get an email notification that your scans are ready to view on our site or mobile app where you can: edit, download, order prints, and even archive!

Other Half-Frame Film Cameras Worth Considering

Beyond the Pentax 17, here are some other popular half frame options:

• Olympus Pen-F – A classic SLR-style half-frame camera with swappable lenses
• Canon Demi – Compact with built-in light meter
• Ricoh Auto Half – Fully automatic with a retro charm
• Kodak H35 & H35N – Fun, budget-friendly cameras great for casual use
• Konica Recorder – very compact autofocus point and shoot

Each has its quirks and strengths, but thanks to their size and film-saving design, they’re all solid choices for the right type of shooter.

Final Thoughts: Is Half Frame Right for You?

Choose half frame if:

• You want to save money on film
• You mostly share your work online
• You like to carry a compact, lightweight camera
• You’re into experimental, candid, or travel photography

Skip half frame if:

• You need max resolution for large prints
• You love shallow depth of field
• You do a lot of heavy cropping in post

At The Darkroom, we’ve embraced the half frame resurgence. And whether you’re new to film or a seasoned shooter looking to experiment, half-frame offers a creative, affordable, and fun way to see the world differently – twice as much of it, in fact.

Pentax 17 Results!

The post Is Half Frame Film Right for You? appeared first on The Darkroom Photo Lab.

At The Darkroom, based in San Clemente, California, we’ve been proudly serving film photographers across the United States as one of the most trusted mail-in film labs for decades. With nearly 50 years of experience, we specialize in developing and scanning almost every film format; 35mm, 120, 220, 620, 110, 126, APS, sheet film, and single-use disposable cameras. Whether it’s C-41 color negative, true black and white, or E-6 slide film, we process it all with exceptional quality and care.

While most of our customers use our convenient mail-in service with free inbound shipping, we now offer something just for our local community: a secure film drop box right outside our lab in San Clemente. It’s quick, easy, and if you select “Local Drop-Off” at checkout all you need to do is drop it off and we’ll ship your order back to you free of charge.

How It Works:

If you’ve already placed your order, just write your name and order number on the provided envelope, drop your film in, and you’re good to go.

If you haven’t ordered yet, no problem:

• Scan the QR code at the drop box, visit TheDarkroom.com, or open our mobile app.
• Place your order and choose “Local Drop-Off.”
• Write your name and order number on the provided envelope with the Sharpie, place your film inside, and drop it in.

We check the film drop box twice daily during the week (10 AM & 6 PM), and on weekends at 10 AM & 2:30 PM. Once your film is received, we’ll send you an email when your order goes into production, when your scans upload, and when we ship your order back. Your negatives and prints (if ordered) will be mailed back to you – free of charge.

Film Drop Location:

The Darkroom
944 Calle Amanecer, Suite A
San Clemente, CA 92673 USA

No need to knock or enter the building – just drop and go!

We’re not a storefront – we’re a working lab focused on fast, high-quality development. The film drop lets us stay productive while offering a simple and convenient solution for local customers or those just passing through. And with 2–3 day turnaround for standard 35mm & 120, you’ll get your scans fast.

Not Local? No Problem.

We provide the best value round trip shipping of any mail-in lab. We provide free inbound shipping options with our postage paid film mailer or our printable postage paid shipping label both of which have a tracking number. You can easily make your order at TheDarkroom.com or with our mobile app – you’ll cover development cost and return shipping which is a flat rate $6.95 and covers as much film as you send in! Our Film Mailers and mobile app make film developing easy as you can order from home or on the go!

The post Local Film Drop Off at The Darkroom! appeared first on The Darkroom Photo Lab.

Expired film can be a lot of fun to shoot. It’s experimental, sometimes unpredictable, and often produces unexpected results you’d never get with fresh film. But while the surprise factor can be exciting, it’s important to know what you’re getting into. If you want reliable, consistent results – you should stick with fresh film.

At The Darkroom, we develop a lot of expired film and see the full range of what expired rolls can produce – from beautiful, dreamy results to completely blank rolls. In this blog, we’ll cover what to expect, how to shoot expired film properly, and which types of film tend to hold up best over time.

What Happens When Film Expires?

Film doesn’t suddenly go “bad” the day after its expiration date. Instead, it slowly degrades over time, especially if it hasn’t been stored properly (i.e., in a fridge or freezer).

As film ages:

• Sensitivity to light decreases.
• Colors shift (in color films).
• Grain becomes more noticeable.
• Contrast flattens, making images look muddy or dull.
• Underexposure becomes more likely, especially with poorly stored film.

Best Film Types to Shoot Expired

1. Black and White Film (Best Option)

Black and white film is the most forgiving when it comes to age. Since there’s no color, you won’t deal with color shifts – just loss of sensitivity.

Tips:

• Overexpose by 1 stop per decade past expiration (e.g., shoot ISO 400 film at 200 if it’s 10 years old).
• Develop normally – don’t push or pull unless you’re very experienced.
• Bracketing exposures can help find the sweet spot.
• Even fresh B&W film handles overexposure well due to its great latitude so don’t be worried to give expired film extra light.

2. C-41 Color Negative Film (Second Best Option)

Color negative film also has decent latitude, meaning it can handle overexposure which is handy when exposing expired film as it is best to overexpose.

Tips:

• Overexpose based on age:
  • 10 years = +1 stop
  • 20 years = +2 stops
  • 30 years = +3 stops
• Expect color shifts: muted tones, weird casts, or unpredictable hues.
• Shoot more casually, don’t use expired color film for once-in-a-lifetime moments as there is no guarantee it will turn out.

3. E-6 Slide Film (Least Recommended)

Slide film is far less forgiving as it has very low exposure latitude, and even slight underexposure can ruin your shots.

Risks:

• Major underexposure.
• Extreme color shifts.
• Blank rolls, especially if not stored well.

Only shoot expired slide film if you’re okay with risky, unpredictable results or bracket exposures carefully and don’t expect perfection.

Bracketing Expired Film

Bracketing is a great way to hedge your bets, especially if you are unsure of when the film expired:

• Take one shot at your meter’s recommended settings
• Take one shot overexposed (+1 stop or +2 stops)
• Optionally, one underexposed (-1 stop)

This technique is especially useful if you have multiple rolls from the same expired batch. You can test a few exposures, see which turns out best, and adjust your ISO accordingly for the rest.

Blank Roll? No problem, we got you!

Sometimes expired film is too far gone. Heat, humidity, light leaks, and moisture can destroy the emulsion. That’s why we always remind our customers: only shoot expired film when you’re okay with losing the roll.

But here’s the good news:
If your roll comes out completely blank – no usable frames at all -we’ll issue a Blank Roll Voucher that you can use toward a future order. It’s our way of helping you take the occasional L in stride.

When to Use Expired Film (and When Not To)

Good Times to Shoot Expired Film:

• Personal photo walks
• Test shots
• Street photography
• Re-shootable scenes or locations

Times to Avoid:

• Weddings or paid gigs
• Family portraits
• Travel moments you must capture
• Once-in-a-lifetime events

What About Found Film?

Found film is different from simply expired film. It’s film that’s been previously used (exposed), or possibly not used at all – but discovered in a drawer, attic, old camera, or thrift store find. Here’s how to tell what you’ve got and what to do with it:

35mm Film Canisters:

• If the film leader is sticking out, it’s likely unexposed and can still be shot.
• If the film is fully wound inside the canister, there’s a good chance it’s already been exposed – meaning it’s ready to be developed, and we can help with that!

Single-Use / Disposable Cameras:

• 35mm disposable cameras typically come with 27 exposures.
• f the exposure counter shows “0,” the roll is finished and ready to be developed.
• If it shows a low number like “1” or “2,” just take a couple of photos and advance the thumb wheel until it reaches “0.”
• If the counter shows a high number like “27” or “25,” that likely means the roll hasn’t been used yet – so feel free to shoot some photos (and use the flash if needed) until it winds down to “0.”
• And don’t worry – when you send your camera in, we’ll always advance it to “0” before removing the film to ensure nothing is missed.

Roll Film (120, 620, 220, 127, etc.):

• Most roll film will have a paper backing that says “EXPOSED” if it’s already been shot.
• If it doesn’t say “exposed,” it may be unexposed and could still be usable for new photos – just keep in mind all the usual risks of shooting expired film.

Cartridge Film (APS, 110 & 126):

• Most cartridge film has built-in indicators to show whether it’s been exposed or not.
• If marked as exposed, it’s ready for development – and we can take care of that for you!

Found Negatives?

• If you’ve got developed negatives, that means the film’s already been processed.
• We can scan color and B&W negative film as well we transparency slide film in 35mm, 120, 220, 620, 110, and many more sizes.
• If you want digital files or prints from them – we can absolutely do that! We offer three different scan sizes as well as a variety of print options. You can start your order here!

Whether it’s an old roll from a vintage camera or a mystery canister found at a garage sale, we love processing old found film. 
There’s always a chance to uncover memories and we’re here to help bring them to life.

We’re Here to Help

At The Darkroom, we’re a traditional dip and dunk lab that develops thousands of rolls of expired film every year so we have a lot of experience with old found film as well expired film.

If you’re unsure how to rate or shoot your expired roll, feel free to reach out to us via thedarkroom.com or DM us on Instagram @thedarkroomlab. We’re always happy to help!

Expired film sample images!

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

The post A Quick Guide to Expired Film, Old Found Rolls, and Negatives appeared first on The Darkroom Photo Lab.

In today’s digital world, most of us view our photos on small smartphone screens but there’s something truly special about holding a real photographic print in your hands. Whether it’s a memory you want to preserve, a piece of art you’ve created, or a moment you want to gift to someone, a physical print gives your image lasting impact.

At The Darkroom, we make it easy to turn your film or digital photos into beautiful, professionally printed images. Whether you shoot with 35mm, 120, or even your smartphone, we offer high-quality photographic prints with the convenience of ordering through our website or mobile app.

There’s Nothing Like a Print

While scans we provide look great, there’s just no substitute for a real print. Seeing your image on paper brings out texture, tone, and emotion in a way digital screens can’t match.

We offer three scan resolutions, each designed to support specific print sizes:

• Standard Scan – Great for prints up to 5×7
• Enhanced Scan – Ideal for prints up to 11×14
• Super Scan – High resolution, perfect for poster-size prints

Scans are saved to your account, so you can order prints right away or come back and print anytime – whether from your film scans, digital camera, or smartphone.

We offer two types of true photographic prints using traditional silver halide paper (not inkjet), both available in a variety of sizes:

How to Choose Your Finish

• Glossy prints are sharp and vibrant, ideal for well-lit, glare-free spaces.
• Matte prints have a subtle, non-reflective look – great for bright rooms or handling.
• With border: Easier to handle and ideal for archival storage or mounting.
• Without border: Clean, edge-to-edge prints – perfect for framing.

What Makes Our Prints Different?

Not all prints are created equal. Most labs today use inkjet or dye-sublimation printers – processes that layer ink or dye onto the surface of coated paper. While these methods are quick and affordable, they simply can’t match the depth, richness, or longevity of true photographic prints.

At The Darkroom, we use traditional silver halide photographic paper – for both color and black and white prints. These prints are made by exposing light-sensitive paper to light. The result is deep blacks, smooth tonal transitions, great detail retention, and superior archival stability.

Whether you choose our Fuji color prints or Ilford black and white prints, you’re getting the real thing – true photographic prints! It’s a level of quality that not only looks better, but lasts longer – and you’ll notice the difference the moment you hold one in your hands.

Order today at TheDarkroom.com or through our mobile app and see your work the way it was meant to be seen: in print.

The post Print Guide: Best Ways to Print Your Film and Digital Photos appeared first on The Darkroom Photo Lab.

Why Kentmere Pan 200 Stands Out

Kentmere Pan 100 is a reliable low-speed film with fine grain, medium contrast, and decent exposure latitude. However, it’s less versatile due to its lower ISO, making it best suited for bright daylight conditions.

Kentmere Pan 400 is more flexible in various lighting conditions, but it comes with trade-offs. It produces noticeably lower contrast and more prominent grain, particularly when underexposed or used in 35mm. For that reason, we often recommend shooting it at 800 ISO and pushing one stop during development to improve contrast. While grain is still present, Kentmere 400 looks quite good in 120 format at box speed.

Kentmere Pan 200 offers the best balance between the two. With a medium ISO speed of 200, it delivers excellent flexibility in different lighting situations. It has noticeably finer grain than Kentmere 400 and similar grain to Kentmere 100, while also producing stronger contrast than either.

Other key features that make Kentmere 200 a standout:

• 200 ISO speed offers versatility for both daylight and lower-light conditions
• Fine grain with impressive sharpness
• Excellent contrast without pushing
• Decent exposure latitude with good shadow detail
• Works well in high-contrast scenes and flat light
• Affordable price point – just $6.99 per roll in both 35mm and 120 formats

Sample Results from 35mm and 120

The 120 film was shot on a Pentax 67, where it showed excellent sharpness, rich blacks, and beautifully smooth tonal transitions. The 35mm rolls were shot using a Nikon FA and Nikon F3, and the results were equally impressive – high contrast, crisp details, and relatively fine grain that holds up even under closer inspection.

In high-contrast lighting, highlights can sometimes have a slightly bright, bloomy look depending on metering, but overall the film handles highlights and shadows well. It’s a great choice for everyday black and white photography due to its flexibility and affordability.

Final Thoughts

Kentmere Pan 200 is a standout addition to the Kentmere lineup -offering sharp, contrasty results at an affordable price. As a mid-speed black and white film, it’s versatile enough for a wide range of situations and is likely to become a go-to for photographers seeking quality on a budget.

Available in both 35mm and 120 for just $6.99 per roll at filmphotographystore.com, it’s a great film to try. When you’re ready to develop, The Darkroom’s nearly 50 years of dip-and-dunk experience ensures your photos get the expert care they deserve.

Explore more film stocks with our Film Index, featuring side-by-side comparisons and real photo examples to help you choose your next roll.

The post The Best Budget Black and White Film: Kentmere Pan 200 appeared first on The Darkroom Photo Lab.

Are you a film photographer who loves to travel? Then you’ve probably found yourself in an airport security line, wondering if your film is safe from TSA X-rays or worse, the new CT scanners. Can they damage your film?

It’s one of the most common questions we get from film shooters. In this guide, we’ll break down everything you need to know about flying with film – from traditional X-ray machines to the newer, more powerful CT scanners – along with practical tips to help you travel with confidence and keep your film safe through airport security.

---

TSA CT Scanners

CT scanners are becoming increasingly common in U.S. airports and unlike traditional X-ray machines, they’re significantly more powerful. Unfortunately, that added strength can mean serious damage to your unprocessed film. In fact, just one pass through a CT scanner can damage a roll, which makes taking film through airport security a concern for film photographers.

To avoid this, we always recommend politely asking a TSA agent for a hand-check when bringing film through TSA checkpoints. In our experience, most U.S. agents are more than willing to accommodate the request – especially when you’re prepared. Internationally, it can vary by country, but it’s always worth asking.

If you’re wondering how to fly with film safely, here are a few tips to make the process smoother and faster at security:

• Remove film from all canisters and packaging ahead of time
• Place film in a clear ziplock bag or our Darkroom Do Not X-Ray Film Pouch
• Keep it easily accessible – store it in a side pocket of your carry-on
• Never put film in checked baggage (including film still inside cameras)
• Consider mailing exposed rolls directly to The Darkroom using our prepaid mailers before flying home

---

TSA X-Ray Scanners

Most TSA checkpoints state that film rated at 800 ISO or lower isn’t likely to be affected by standard X-ray machines, and in our experience, that’s generally true. We’ve sent dozens of rolls of film through airport security when hand-checks weren’t possible, and the results – especially with black and white film – showed little to no noticeable damage. It’s reassuring for anyone concerned about film camera airport security risks.

That said, it’s always best to play it safe. Politely requesting a hand-check is highly recommended, and here in the U.S., TSA agents are usually happy to help – especially if you have your film out of its packaging and easily accessible in a ziplock bag or our Do Not X-Ray Film Pouch.

---

Film Pouches

Perfect for everyday use and travel, The Darkroom Travel Film Pouches come in two convenient sizes.

Crafted from durable, see-through PVC mesh, these pouches feature a zipper with a “Do Not X-Ray” label, making them ideal for airport security.

Buy Now

---

What’s the best way to safely get your film through airport security?

First and foremost – never pack film in your checked baggage. Checked bags go through high-powered CT scanners that can cause immediate and irreversible damage to your film. Even the best processing lab can’t fix film that’s been fogged by these machines.

Carry-on X-ray scanners use lower levels of radiation and typically don’t harm film under 800 ISO, but we still recommend playing it safe and requesting a hand-check—especially if your trip includes multiple flights or airport transfers.

While a simple ziplock bag works, we highly recommend using our Darkroom Do Not X-Ray Film Pouch instead. It’s much more durable and clearly labeled with “Do Not X-Ray,” making your request easier for TSA to understand. These pouches are ideal for travel and film organization, and we offer them in two sizes to fit your setup.

We do not recommend using lead-lined film bags. While they can block standard X-rays, they’re ineffective against CT scanners, which are much stronger and can see through the lead – often resulting in more damage to your film. Plus, if TSA sees a lead bag in your carry-on, they’ll likely ask you to remove it so they can inspect what’s inside anyway.

That’s why a hand-check remains the safest, lightest, and most effective way to protect your film. Just let the TSA agent know you’re carrying photographic film and kindly request a manual inspection – it’s usually not a problem, especially at U.S. airports.

 

What’s the best way to safely get your film through airport security?

Want to make traveling with film even easier? Skip the TSA line altogether on your way home by using one of our free postage-paid film mailers. Available exclusively in the U.S., these mailers include a pre-addressed envelope and an order form for quick and easy drop-off.

Here’s how it works:

• Place your order online at TheDarkroom.com or through our free mobile app (iOS & Android)
• Write your order number on the printed form—or fill it out by hand
• Place your film and the completed order form into the mailer
• Drop it off at any USPS location in the U.S.

No need to worry about hand-checks, X-rays, or CT scanners on the way back—your film will head straight to our lab for developing. It’s the most convenient and secure way to handle your exposed rolls while traveling.

Whether you’re flying home from a vacation, a photo assignment, or a wedding shoot, using our free film mailers gives you peace of mind—and one less thing to juggle at the airport.

---

What if I can’t get my film hand-checked?

If for some reason you don’t have time, aren’t permitted, or totally forget to request a hand-check for your film, don’t sweat it. The odds are in your favor. We’ve gathered a handful of our x-rayed film scans—most of which went through an x-ray a total of 6 times and still produced great results!

Kodak TMAX400 U.S. X-RAY 4 TIMES

• 

• 

• 

• 

• 

• 

Ilford SFX 200 EU X-Ray 6 times

• 

• 

• 

• 

• 

• 

Ilford DELTA 3200 EU X-RAY 6 times

• 

• 

• 

• 

• 

• 

Flying with Film: Results from 3x TSA X-Ray

Examples of how X-ray effects film in checked baggage.

Below illustrates the extreme effects of X-rays when scanned in checked luggage.

If you’re curious, here’s what to expect when your film is scanned in check baggage.

Exposure from checked baggage scanners can have an extreme effect and fog film.  Fog typically appears as soft-edged bands 1/4 to 3/8 inch (1 to 1.5 cm) wide. The orientation of the fog stripe depends on the orientation of the film in the scanner relative to the X-ray beam. The X-ray banding is often linear or wavy running lengthwise or horizontally on the film. Whether the undulating wavelengths is visible depends on the photographic content. Busy scenes will obscure or lessen X-ray effects, otherwise, the photo may display some signs of wavy lines or fogging.

black-and-white negative films – Patterns in dark areas
color-negative films – Neutral or brown patterns in the dark area
slide film – Neutral or brown Patterns in the light areas

800 speed film scanned with Examiner 3DX 6000 X-Ray check baggage scanner

As an example of how X-ray effect film, below is an unexposed KODAK VISION 200T negative film scanned by a checked-luggage scanner.

---

The Darkroom Swag

Display the stoke with our shirts, hats, totes, gift cards, and more.

Get swagged

 

 

What’s the Best Film?
The most comprehensive index of film types; characteristics, examples, and reviews.

View Index

The post The Ultimate Guide to Flying With Film – Avoiding TSA & CT Scanner Damage! appeared first on The Darkroom Photo Lab.

Why Our Film Lab App Is a Game-Changer

Here’s what makes The Darkroom app the go-to solution for film photography lovers:

The post The Best Mobile App for Film Photographers – The Darkroom App! appeared first on The Darkroom Photo Lab.

March 22, Saturday, Noon – 3pm

This Beers & Cameras meetup at St. Elmo Brewing Co. has officially sold out!  If you weren’t able to grab a ticket, don’t worry—Austin has no shortage of great breweries to explore. We highly recommend checking out :Austin Beerworks,  Lazarus Brewing Company , Blue Owl Brewing , The Brewtorium , Austin Beer Garden Brewery (ABGB) , & St. Elmo Brewing Co. (South Austin) !

And good news— we still have tickets left for our Photowalk at 5 PM! So if you missed out on the B&C meetup, you can still grab a drink at one of these great spots and then join us for an evening of photography, good company, and great light. Don’t miss it!  SOLD OUT…

Photowalk – March 22nd, Saturday, 5-7pm

Join us for a Lady Bird Lake photowalk in Austin Texas! We’ll gather at the Auditorium Shores, and once everyone has arrived, we’ll embark on a one-mile walk through the park, stopping at several scenic locations along the Lady Bird Lake Boardwalk. This photowalk is open to 300 participants, so don’t miss out!

Tickets & more info!

Follow @thedarkroomlab & @beersandcameras for updates!

The Darkroom Film Crew:

Jason Kummerfeldt – IG  @50_shades_of_jason YT  GrainyDays

Beloved by few and hated by most, Jason Kummerfeldt is a California-based YouTuber and “photographer” with almost a decade of film photography under his belt and nothing good to show for it. He also owes me money.

Beatriz Valim – IG @beacasso YT – Baecasso

Beacasso, also known as Beatriz Valim, is a Los Angeles-based medium format film photographer renowned for her bold color palette and striking compositions. With a keen eye for fashion and portraiture, she captures individuality through rich hues, dynamic contrasts, and compelling storytelling. Inspired by her Brazilian roots, Beatriz brings a sense of rhythm, movement, and emotion to her work, creating images that are both timeless and modern, full of life and character.

Caleb Knueven – IG @calebkneven – YT  Bad Flashes

Caleb was born on the fringe of society, destined to explore the abandoned world around, longing for the stories that seep from the peeling painted walls! Photography is exploration, is freedom, is life! He loves long walks on the beach with his M6, a finely crafted cup of coffee, atomic fireball candies and BBQ just to name a few. 

Teri Bocko – IG @teribocko YT teribphotograph

Teri has spent the last decade photographing weddings on digital and film, primarily on rangefinder cameras. She shoots about forty weddings a year, all over the world, and is known for an artistic style, embracing an analog approach. Teri resides on the Oregon Coast and enjoys rainy days, collecting vinyl records and ghost hunting tv shows. A rare morning person; happiest with coffee, a camera and exploring somewhere new. 

Jonathan Paragas – IG @kingjvpes – YT kingjvpes

Jonathan Paragas also known as KingJvpes online is a film photographer based out of the San Francisco, Bay Area. He started shooting film in 2016 and has since created a YouTube channel to help other photographers learn how to shoot film. With a passion for documenting our current time, Jonathan focuses his attention and time to street photography to create a lifetime body of work. 

Juan Martinez – IG @beersandcameras

Juan Carlos Martinez is a passionate photographer who rediscovered his love for the craft after the birth of his kids. He founded Beers and Cameras (B&C) along with friend, Pocholo Francisco, after organizing casual meetups with friends at coffee and craft breweries via Instagram. Now with chapters across the U.S., B&C has become a community for photographers who love connecting with like minded individuals, over a beverage and discussing all things photography. Emphasizing the community with a goal of fostering lifelong friendships, B&C welcomes both film and digital photographers. B&C partners with like-minded brands to promote a shared passion for photography and the motto to “shoot every day.”

Event Essentials:

Keep an Eye on the Weather

Late March in Austin typically warm and sunny with day time temps around 75 degrees and nighttime lows in the 50’s. However, Texas weather can be unpredictable, so it’s always a good idea to check the forecast as the event approaches. Be prepared for possible temperature shifts throughout the day. Bring a light jacket or sweater for the cooler mornings and evenings.

Wear Comfortable Shoes & Bring Sunscreen

This event involves a lot of walking, so make sure to wear comfortable shoes that can handle a long day of exploring. Austin’s sun can be intense, even in the spring, so pack sunscreen, sunglasses, and a hat to stay protected. Hydration is key, so bring a water bottle to keep yourself refreshed throughout the day.

Bring Plenty of Film(duh)

Austin is filled with amazing photographic opportunities, from its colorful street art to historic landmarks and scenic urban parks. You’ll want to bring more film than you think you’ll need—it’s better to have extra than to run out! Whether you’re shooting 35mm or 120, you won’t want to miss capturing the energy of the city. Be sure to tag us in your photos using @thedarkroomlab / #thedarkroomlab so we can see and share your work!

Affordable Hotel Recommendations

If you’re traveling to Austin and need an affordable yet comfortable place to stay, here are some budget-friendly options:

• The Carpenter Hotel – A stylish, budget-friendly boutique hotel located near Zilker Park, offering a unique Austin vibe.
• Holiday Inn Express & Suites Austin Downtown – A centrally located hotel with great value, within walking distance of food, nightlife, and major attractions.
• Austin Motel – A fun and retro-style motel on South Congress Avenue, perfect for those who want to stay in the heart of the city.
• La Quinta Inn by Wyndham Austin Capitol/Downtown – An affordable and comfortable choice near the Texas Capitol and other downtown sites.
• East Austin Hotel – A modern yet budget-friendly hotel in the heart of East Austin, close to great food and creative spaces.

We’re thrilled about this event and can’t wait to see everyone there! If you can’t make it this time, don’t worry – we regularly host meetups like this and are always on the lookout for new location. Let us know where you’d like us to host the next one!

The post Film Photography Roundup: Austin Texas 2025 appeared first on The Darkroom Photo Lab.

The post Film Photography 101: How to Start Your Analog Journey appeared first on The Darkroom Photo Lab.

Our Top Picks for Medium Format Cameras

Now, let’s break down our top choices for medium format cameras, each one tested and loved by our team. For each camera, we’ll include photos of the camera itself, as well as sample images we’ve shot with it. Let’s dive in!

Best Landscape Camera – Mamiya 7

The Mamiya 7 is renowned for its razor-sharp lenses and portability, making it an ideal choice for capturing vast landscapes. Its rangefinder design ensures precise focusing, works well with filters since you don’t view through the lens, and the 6×7 negative size provides stunning detail and clarity.

Why We Love It: With its bright viewfinder, auto aperture priority mode, and compact design, it’s very easy to use and handle. Best of all, the image quality is incredible!

Things to Consider: This 6×7 rangefinder does not meter through the lens, so you’ll need to compensate for filters. Additionally, it only produces 10 frames per roll of 120 film, something to keep in mind for longer shoots. Finally, this camera is far from affordable, costing $2,000 or more for the body alone, which is why we’ve included more budget-friendly options.

Best Studio Camera – Hasselblad 500CM

When it comes to studio work, the Hasselblad 500CM is legendary. Its waist-level finder and leaf shutter offer precise control, while its interchangeable lenses make it versatile for various lighting setups.

Why We Love It: The leaf shutter allows flash sync at any speed, and its fully mechanical design makes it highly reliable, as it doesn’t require a battery. The modular build is a dream for studio photographers, offering a wide selection of lenses, viewfinders, and film backs, allowing for easy switching between different film stocks.

Things to Consider: This fully mechanical camera is also entirely manual, which, combined with the waist-level finder that flips the image, can be intimidating for beginners. Additionally, it produces 12 square (6×6) images per 120 roll, so if square framing isn’t your style, you might want to explore other options in this blog.

Best Beginner Camera – Mamiya 645

The Mamiya 645 is a modular SLR and a fantastic entry point into medium format photography. It’s easy to handle, offers a wide range of lenses, and is budget-friendly compared to other medium format options.

Why We Love It: The 6×4.5 format is the smallest in medium format, allowing for the most frames per 120 roll—15 in total! Despite its smaller size, it’s still much larger than 35mm and delivers quality comparable to larger medium formats.

Things to Consider: Mamiya 645 offers a range of models, from manual to autofocus, with prices that vary accordingly. Our top recommendations are the 1000S and 645 Pro, but honestly, it’s hard to go wrong with any of them!

Best Point & Shoot – FujiFilm GA645Zi

If you’re looking for medium format convenience with point-and-shoot simplicity, the Fujifilm GA645Zi is the perfect choice. It’s fully automatic with exposure compensation, a built-in flash, and a sharp autofocus zoom lens.

Why We Love It: The GA645Zi is ideal for street and travel photography, offering the ease of a point-and-shoot with the quality of medium format. Its 6×4.5 format (depending on the model) produces 15–16 frames per roll, giving you more shots per roll.

Things to Consider: As a fully electronic autofocus camera, it can occasionally miss focus, and its vertical viewfinder differs from the more common horizontal orientation, which may take some getting used to.

Best Travel Camera – FujiFilm GF670

Lightweight, foldable, and featuring a tack-sharp 80mm lens, the Fujifilm GF670 is an ideal choice for travel photographers. Its 6×7 format captures negatives with exceptional detail, perfect for documenting diverse scenes.

Why We Love It: The GF670 combines portability and quality—an unbeatable pair for capturing beautiful scenes on the go.

Things to Consider: As a folding camera, the GF670 has bellows that are delicate and can be prone to damage or light leaks, so it requires careful handling. Additionally, the camera has a fixed 80mm lens (equivalent to about 40mm in 35mm format), so you’ll need to be comfortable with that focal length. Finally, this impressive camera doesn’t come cheap, often costing $2,500 or more.

Best Street Camera – Rolleiflex 2.8

The Rolleiflex 2.8 is a street photography legend. Its quiet operation, stealthy waist-level finder, and exceptional lens quality make it perfect for candid captures.

Why We Love It: This mechanical TLR is discreet and intuitive, allowing for quick shooting in urban settings. With its leaf shutter, it’s capable of sharp handheld shots even at slower speeds, such as 1/15th of a second.

Things to Consider: As a Twin Lens Reflex (TLR) camera, it has a waist-level finder that flips the image, which can take some getting used to. It’s fully manual, and its 6×6 format produces 12 square images per 120 roll. If the 2.8 version is beyond your budget, consider the 3.5 version, which is more compact and still delivers excellent performance.

Best Bargain – Yashica TLR

If you’re looking for a medium format bargain, the Yashica TLR series is a fantastic choice. With models ranging from the Yashica A to the MAT series, these cameras deliver impressive results at a fraction of the cost.

Why We Love It: Yashica TLRs can be found for anywhere from around $500 to as low as $100 or less, while still delivering excellent image quality. They’re also compact, making them perfect for travel and on-the-go photography.

Things to Consider: These fully manual Twin Lens Reflex cameras produce a 6×6 square image and are quite simple, with limited features and mechanical shutters often maxing out below 1/500s. Some MAT models include light meters, though these often no longer function; however, the camera can still be used manually without issue.

Most Underrated – FujiFilm GSW690III

Often dubbed the “Texas Leica,” this fully mechanical rangefinder with a fixed 90mm f/3.5 lens produces stunning 6×9 images, making it a top choice for landscapes, cityscapes, and street photography.

Why We Love It: It’s simple, mechanical, and creates massive negatives that rival large-format quality.

Things to Consider: This camera is fully manual and has no built-in meter, so using an external light meter is recommended. Additionally, it has a fixed 90mm lens, which is roughly equivalent to 40mm in 35mm format, and cannot be swapped out.

Best Portrait Camera – Pentax 67

The Pentax 67 is a 6×7 SLR, and when paired with the legendary 105mm f/2.4 lens, it’s our top choice for portrait work, offering beautiful depth of field and dreamy bokeh. The 105mm lens provides a 50mm equivalent in 35mm terms, but the system also boasts a wide range of other lenses.

Why We Love It: For portraiture, it’s hard to beat an SLR, as you’re looking directly through the lens. The Pentax 67 offers a large, bright viewfinder that’s perfect for precise compositions.

Things to Consider: This camera has a loud and heavy shutter slap, making it less discreet and prone to camera shake. It’s best to keep the shutter speed at 1/60 or higher when shooting handheld. While the Pentax 67 II is pricey, the earlier version is more affordable, and all lenses and viewfinders are compatible!

Best Panoramic Camera – Hasselblad XPAN

While the XPAN shoots 35mm film, it’s often considered a medium format camera due to its panoramic width of 65mm, offering image quality that rivals medium format. With auto-advance, auto-exposure, and a range of sharp lenses from 30mm to 90mm, it’s our top choice for panoramic photography.

Why We Love It: The XPAN captures stunning, cinematic panoramic shots, yet remains compact enough to carry anywhere. It produces 21 frames per roll, making it far more practical than 120 panoramic cameras, and can also be switched to standard 35mm format when desired.

Things to Consider: While the lenses are impressively sharp, they have a slower maximum aperture of f/4 or higher, so this camera isn’t ideal for low light. However, this isn’t a major drawback since the XPAN is most often used for landscapes and outdoor scenes.

The Darkroom’s Commitment to Medium Format Film

At The Darkroom, we’re more than just developers—we’re medium format enthusiasts. Every camera on this list has been tested by our team, and our lab is fully equipped to handle 120 film with the utmost precision. Using the traditional dip & dunk method for development, we ensure your film is treated with care. With three scanning options, your images are uploaded directly to your Darkroom account, where you can edit, download, archive, and even order prints from our wide selection. Whether through our mobile app or website, ordering processing and prints is easy and convenient, allowing you to experience the best of medium format.

Try Medium Format Today!

If you’re looking to achieve better image quality than 35mm, give 120 film a try! The larger format brings exceptional detail, dynamic range, and depth to your images. Curious about what 120 film can do for your work? Send your rolls to The Darkroom, where we’ll handle every step with care. From dip & dunk processing to stunning, high-quality scans, we ensure your medium format negatives look their absolute best.

The post Top Medium Format Cameras for Every Occasion! appeared first on The Darkroom Photo Lab.

The post Why Disposable Cameras Are Trending Again: The Darkroom’s Role in Processing and Recycling appeared first on The Darkroom Photo Lab.

The Manufacturer of the Iconic Ilford B&W Film, HARMAN Photo, Now Makes Color Film in 35mm & 120!

In late 2022, HARMAN Photo began a secret project to create a new color film at their UK facility. The result? Phoenix 200—the first-ever color film produced entirely at the Mobberley factory, where Ilford’s B&W films are also made. This film represents a new chapter for HARMAN Photo and brings hope to a film community long reliant on a single color film manufacturer.

What Makes Phoenix 200 Unique?

Phoenix 200 stands out with its high contrast, strong saturation, and distinctive color palette. It has no halation layer or orange mask, leading to high contrast, noticeable halation, and lower exposure latitude. This film performs best in even, consistent light. Due to its lower latitude—similar to E-6 slide film—metering for mid-tones is recommended to avoid blown-out highlights.

Now Available in 120!

Originally released in 35mm, Phoenix 200 is now available in 120 format, retaining its signature look while offering smoother contrast and finer grain. Though not ideal for portraits, it excels in urban and minimalist scenes, where its lower exposure latitude isolates mid-tones and highlights, creating dramatic images in high-contrast light.

Some of our 35mm favorites

Some of our 120 favorites

We are proud to be the first lab in the U.S. to develop and scan Phoenix 200, and we’re excited to see what HARMAN Photo creates next. As the only film manufacturer openly discussing the future of film, their commitment to innovation is inspiring.

With Phoenix 200 now available in 120, we look forward to seeing even more of your work in our lab. If you’re looking to purchase Phoenix 200, we highly recommend the Film Photography Project!

The post Harman’s New “Colour” Film: Phoenix 200 review! appeared first on The Darkroom Photo Lab.

September 20th, Friday, 6-9pm

Join us at the Beers & Cameras meet up at Original 40 Brewery in North Park, where we’ll be making a special announcement. This event is officially sold out so if you didn’t get a ticket, the overflow location is North Park Brewery on 3038 University Ave, which is very close to Origional 40 Brewing Co.!

September 21st, Saturday, 1pm-3pm

Join us for a Balboa Park photowalk! We’ll gather at the Bea Evenson Fountain, and once everyone has arrived, we’ll embark on a one-mile walk through the park, stopping at several scenic locations along the way. This photowalk is open to 300 participants, so don’t miss out! For more information and tickets, click the link below.

Tickets & more info here!

September 21st, Saturday, 6pm-9pm

Don’t miss out on this special finale to the weekend at Meraki Restaurant! This isn’t just another meetup—it’s an elevated experience. For just $25, enjoy a pizza buffet, cash bar, and exclusive giveaways, including a Pentax 17 & a Pentax 67 and film bundles from FPP, Kodak, Ilford, Lomography, Moment, and more. With only 200 tickets available, be sure to grab yours before they’re gone—click the link below! Tickets will be scanned before entry, and that’s when you’ll receive your raffle tickets!

Tickets & more info here!

Event Essentials:

As you prepare for the upcoming film photography event in San Diego, here are a few tips to ensure you have a great time:

1. Keep an Eye on the Weather: Late September in San Diego usually brings pleasant weather, with average highs around 75°F and lows around 65°F. However, it’s always smart to check the forecast as the event approaches so you can dress accordingly. Layers are your best friend—bring a light jacket or sweater for the evening.

2. Comfortable Walking Shoes & Sunscreen: This event involves a lot of walking, so make sure to wear comfortable shoes and bring sunscreen. You’ll be exploring some of San Diego’s most photogenic spots, and you’ll want to stay comfortable and protected from the sun.

3. Bring Plenty of Film(duh): There will be countless opportunities to capture stunning images, so bring more film than you think you’ll need. Whether you’re shooting 35mm or 120, it’s always better to have extra on hand and of course, we’d love to see your photos so be sure to tag us, @thedarkroomlab / #thedarkroomlab_SD24!

4. Hotel Recommendations: If you’re coming from out of town, here are some budget-friendly hotel options in San Diego that offer great value:

• Kings Inn San Diego: A retro-inspired hotel with comfortable rooms and easy access to major attractions.
• The Atwood Hotel: Located in Mission Valley, it’s a great central spot with modern amenities.
• Old Town Inn: Situated near Old Town, this cozy hotel offers a quaint stay close to historic sites and restaurants.
• Holiday Inn Express San Diego Downtown: A convenient and affordable choice with easy access to the Gaslamp Quarter and other downtown attractions.
• La Quinta Inn & Suites by Wyndham San Diego SeaWorld/Zoo Area: Offers great value and is a short drive from Balboa Park and other key locations.

Follow @thedarkroomlab & @beersandcameras for updates!

The Darkroom Film Crew:

Caleb Knueven – IG @calebkneven – YT  Bad Flashes

Caleb was born on the fringe of society, destined to explore the abandoned world around, longing for the stories that seep from the peeling painted walls! Photography is exploration, is freedom, is life! He loves long walks on the beach with his M6, a finely crafted cup of coffee, atomic fireball candies and BBQ just to name a few. 

Taylor Pendleton – IG @trmpendleton – YT  graincheck

Taylor is a film and digital photographer based in the USA. She runs a photography YouTube channel and works on various productions with Sunny Sixteen as a director and photographer. Her career has been varied and full of opportunities to shoot different things, in different ways, all around the world. Right now, she’s most interested in black-and-white film and colorful studio portraiture.

Jason Kummerfeldt – IG  @50_shades_of_jason YT  GrainyDays

Beloved by few and hated by most, Jason Kummerfeldt is a California-based YouTuber and “photographer” with almost a decade of film photography under his belt and nothing good to show for it. He also owes me money.

Juan Martinez – IG @beersandcameras

Juan Carlos Martinez is a passionate photographer who rediscovered his love for the craft after the birth of his kids. He founded Beers and Cameras (B&C) along with friend, Pocholo Francisco, after organizing casual meetups with friends at coffee and craft breweries via Instagram. Now with chapters across the U.S., B&C has become a community for photographers who love connecting with like minded individuals, over a beverage and discussing all things photography. Emphasizing the community with a goal of fostering lifelong friendships, B&C welcomes both film and digital photographers. B&C partners with like-minded brands to promote a shared passion for photography and the motto to “shoot every day.”

We’re thrilled about this event and can’t wait to see everyone there! If you can’t make it this time, don’t worry – we regularly host meetups like this and are always on the lookout for new spots. Let us know where you’d like us to host the next one!

The post The Darkroom City Tour: San Diego 2024 appeared first on The Darkroom Photo Lab.

While we don’t typically recommend single use disposable cameras, there is a time and place for them. They often serve as the starting point for many people’s film journey, making them ideal for those new to film photography. Additionally, single use cameras are perfect for certain situations where you don’t want to worry about exposure settings or damaging your camera, such as parties, travel, beach outings, hiking, and climbing. They are also great for younger kids to learn and use. At The Darkroom, we develop a lot of these cameras and recycle them all, promoting sustainability.

Below in the blog, we have side by side comparisons and rankings, and a KingJvpes video where he reviews the top disposable cameras of 2024. Be sure to check it out for a comprehensive review!

What’s in this article?
Click to jump down to sections

Best uses for Disposable CamerasOverview – GridCamera OverviewImage ComparisonFAQ

---

The Best Uses Of Disposable Cameras

Single use film cameras are incredibly popular for vacation photos. If you find yourself wishing you had your camera from home, you can easily pick up a disposable camera at the nearest drugstore or convenience store for $20 or less.

Disposable cameras also add a fun element to significant events like weddings or parties. Event planners and wedding photographers often buy them in bulk, placing one at each guest table or filling a big glass bowl with them at the bar. This not only provides guests with a fun activity that enhances the event’s happy and lively atmosphere, especially as the drinks start flowing, but it also captures unique moments from different perspectives. Plus, your guests essentially become your photographers!

Another excellent use for single use cameras is during activities where your primary camera might get damaged, such as hiking, climbing, beach outings, or rainy days. They’re also fantastic for younger kids to use, thanks to their simplicity and straightforward operation.

---

We test the top single-use cameras, new and existing, to see which took the best pictures.

*Prices are just for reference

Color Disposable Cameras	Rating (1-5)		Price*
Kodak Fun Saver	★★★★★	Color	$16
Lomo 400 Simple Use	★★★★☆	Color	$23
LomoChrome Purple Simple Use	★★★★☆	Color	$23
Fujifilm Quick Snap	★★★☆☆	Color	$16
Black & White Disposable Cameras
Ilford Single HP5 Use	★★★★★	B&W	$15
Ilford Single XP2 Use	★★★★☆	B&W	$15
Kodak 400TX	Under Review	B&W	$12
Rollei Inferno Ragazzi	★★★☆☆	B&W	$23
Lomo B&W 400 Simple Use	★★★☆☆	B&W	$23
JCH StreetPan Kassha	★☆☆☆☆	B&W	$16
Waterproof Disposable Cameras
FujiFilm Waterproof Quick Snap [Waterproof Cameras Compared]	★★★☆☆	Color	$15
Kodak Water & Sport Waterproof [Waterproof Cameras Compared]	★★☆☆☆	Color	$14

Don’t forget, The Darkroom does Film Developing for disposable cameras

---

Kodak Fun Saver / Power Flash

Despite being the most common and cheapest of the 8, overall, the Kodak FunSaver performed best.  Its 800 iso color negative film has great exposure latitude making it much more versatile – it could shoot in open sunlight without blowing out the highlights but also did very well in low light.  Its grain is very subtle and has very pleasant warm tones.  All 8 cameras have plastic optics but the Kodak FunSave seemed to be sharper than the rest.  If you’re looking for cheap disposable cameras that produce great results, this might be the best choice. See image comparisons below

See Images shot with this Kodak Fun Saver

---

Kodak 400TX – Tri-X 400

When a behemoth like Kodak updates a hugely popular single use camera, it grabs people’s attention. Sporting a dual-lens setup and the iconic Tri-X 400 film inside, we had the opportunity to test out this black and white single use camera in both outdoor and indoor settings. And, as we develop a lot of single use cameras as a traditional dip and dunk lab, we’re excited to see the iconic Tri-X black and white film in Kodak’s clever little power flash camera.

See Images shot with this Kodak 400TX

---

FujiFilm Quick Snap

Of all 8, the Quick Snap is the easiest to use.  It’s the smallest and has a practical flash switch that allows you to keep the flash on.  For all the other cameras you need to press the button to charge the flash for every shot but for this camera, you can keep the flash constantly on by pushing the flash up which will glow red when ready.  Having a good flash is important for this camera because has finer grain 400iso film which means needs the flash for the lower lit scene, unlike the 800 iso cameras.  The Quick Snap is best used in open daylight with no flash or in low light with flash.  Its colors are nearly as pleasant as the rest – it often goes magenta for skin tones and whites.  If you’re looking for a cheap daylight camera that excels for landscapes this camera would be a great choice.

See images shot with the FujiFilm Quick Snap

---

Lomo 400 Simple Use 

This camera, along with the rest of the Simple Use cameras has some major differences from common disposable cameras- they can be reloaded with film and used multiple times which is super cool, they also have 36 exposure compared to the rest which is only 27 exposures, and they have flash gels which can give you a wide range of unique flash effects.  The Lomo 400 cold comes with Lomography’s 400 color negative film has decent exposure latitude, relatively fine grain, and very pleasant tones.  The plastic optics produce a slightly softer image but a much more unique look than the traditional Kodak & Fuji cameras.  It also costs more than most disposable cameras but if you plan on reloading it will be much more cost-effective than buying a bunch of single-use cameras. See image comparisons below

See images shot with the Lomo 400 Simple Use 

---

Rollei Inferno Ragazzi

New to our lineup for 2020, the Rollei disposable camera comes pre-loaded with the Rollei RPX 400 27 exp. B&W film is which is a great film stock with very good exposure latitude. The camera has an identical design as the JCH Kassha but produced better and more consistent results. It has a 31mm f/9 at a 125th lens that’s pretty sharp from 3-5ft and gets pretty soft after 15ft. Like the other disposable cameras, it performs best on bright sunny days or close shots using the flash. The flash is reliable and if you’re in anything other than bright light, it’s highly recommended to use the flash. This camera did create some interesting distortion which is most-likely from the film being a little loose inside of the camera. Overall it’s a fun camera to shoot with – we liked the look of the Rollei RPX 400 but if we had to choose, we’d still pick the Ilford Single HP5 which seems to be sharper and have less image distortion.

See images shot with the Rollei Inferno Ragazzi

---

JCH StreetPan Kassha

We were excited to shoot with the new Kassha disposable camera loaded with 27 exposure Japan Camera Hunter StreetPan 400 film. This film is known for its’ contrast and punchy tones that can look really good when properly exposed which is the major flaw with this camera… This camera has a fixed aperture of f/9 with a shutter around 125th of second which would be fine for daylight shooting but since this film seems to be darker/needs to be overexposed it produced many dark images. Even with the flash, it produced dark images on occasion. And on top of that, its 31mm lens doesn’t have a wide depth of field which produces blurry images from roughly 15ft to infinity (fixed focus 31mm lens). It’s the sweet spot for focus and its fast is 3-5 feet. If you’re looking to shoot a B&W disposable camera, we recommend the Ilford & Lomography cameras over this one. We’ve included some images below that show the good and the bad.

See images shot with the JCH StreetPan Kassha

---

LomoChrome Purple Simple Use

This camera is physically the same as the Lomo color 400 but is packed with a unique film, LomoChrome Purple 400 which mimics color infrared film in some ways.  The photos this camera produces are other-worldly.  It’s a fun camera and of all the Simple Use cameras this is the one we recommend most because LomoChrome Purple isn’t a cheap film to buy so it’s fun to shoot once then once the roll is done, take it out and load another 400 iso color negative film in the camera. See image comparisons below

See images shot with LomoChrome Purple Simple Use

---

Lomo B&W 400 Simple Use

This is the only black and white camera of the Lomo Simple Use cameras.  It’s packed with Lady Grey 400 which is a black & white film that has very noticeable but pleasant grain and decent tones but it falls short of the quality B&W film the Ilford cameras are packing so if you don’t plan on reusing this camera and you want black & white we highly recommend the Ilford disposables. See image comparisons below

See Images Lomo B&W 400 Simple Use

---

Ilford XP2 Single-Use 

This 400iso B&W disposable camera is surpassingly sharp and is great for open daylight shooting but not in low light.  The XP2 film has a very fine grain, great contrast, beautiful tones, and can be developed as C-41.  It’s a great camera for classic nature landscapes and cityscapes, as well as natural light portraits. See image comparisons below

See images Ilford XP2 Single Use

---

Ilford B&W HP5 Single-Use

This camera is truly unique due to the fact that it has the classic true b&w HP5 Plus 400 iso film in it.  White the HP5 has more noticeable grain than XP2 the tones, contrast, grain, and exposure latitude are far superior – just look at the details in the shadows!  This b&w disposable camera is a great overall shoot that performs well in open daylight, low light without flash, and in low light with flash.  Of all 3 B&W disposables, this the one recommend most.  Even though you could reload HP5 film in a Lomo Simple Use, the Ilford plastic optics are still sharper. See image comparisons below

See images shot with the Ilford B&W HP5 Single Use

---

FujiFilm Waterproof Quick Snap

This is the only waterproof disposable camera we tested.  With its 800iso grain film and no flash, you’ll only want to shoot it in daylight or underwater that’s being hit by light.  It produces better slightly better skin tones than the Fuji Quick Snap and does better in low light due to its 800iso film.  It’s obviously the best of the 8 cameras if you plan on getting wet but if you don’t plan on getting wet, we don’t recommend this camera.

What’s the Best Waterproof Camera? Click to find out.
The DarkRoom tests the top waterproof cameras with a side-by-side photo comparison.

---

Kodak Water & Sport Waterproof

Loaded with Kodak Max 800 which is a stop faster than the Kodak Fun Saver 400 – this allows it to be more versatile in lower light areas like underwater. Its’ rugged build and waterproof down 50ft make it ideal for winter water and extreme outdoor activities. If you don’t plan on shoot underwater though we highly recommend the Kodak Fun Saver which produces higher quality images. Wine this camera is encased with a plastic cover it seems to be less sharp and due to no flash, it’s not ideal for indoor use. Of the two underwater single-use camera, the Fuji Waterproof Quick Snap and this, we definitely recommend the Kodak which produced slightly sharper images and more consistent image quality.

What’s the Best Waterproof Camera? Click to find out.
The DarkRoom tests the top waterproof cameras with a side-by-side photo comparison.

---

The Darkroom Swag

Display the stoke with our shirts, hats, totes, gift cards, and more.

Get swagged

 

 

What’s the Best Film?
The most comprehensive index of film types; characteristics, examples, and reviews.

View Index

---

Disposable Cameras Color Photo Comparison – Side by Side

A. Kodak Fun Saver – 27 exposure 800 iso film with flash

B. Fujifilm Quick Snap  – 27 exposure 400 iso film with flash

C. FujiFilm WaterProof Quick Snap – 27 exposure 800 iso film no flash

D. Lomo 400 Simple Use  – 36 exposure Lomo color negative 400 iso with flash

E. LomoChrome Purple Simple Use – 36 exposure with color negative 400 iso film with flash

     Kodak Water & Sport Waterproof (Not included in comparison)

---

Disposable Cameras B&W Photo Comparison – Side by Side

F. Ilford XP2 Single Use – 27 exposure C-41 XP2 black & White 400 iso film with flash

G. Ilford HP5 Single Use – 27 exposure  b&w HP5 400 iso film with flash

H. Lomo B&W 400 Simple Use – 36 explore with Lady Grey 400 iso film with flash

     JCH StreetPan Kassha – 27 exposure JCH StreetPan 400 film with flash (Not included in comparison)
     Rollei Inferno Ragazzi 35mm – 27 exposure (Not included in comparison)

What is Lomography – Lomography is the style of pop photography based on the quirky cameras by the Austrian camera manufacturer known as Lomo

Other Disposable Camera Information

---

How much does it cost to develop film for a disposable camera?

It’s about $16 to have the film in your disposable camera developed. With over 40 years of experience, you can trust The Darkroom with your valued memories… just place your order online and mail us your cameras. Start your order.

---

Can you still buy a disposable camera?

Yes, depending on where you live, you can find them at a local pharmacy, Walgreens, CVS or stores like Costco, Target or Walmart. Of course, there are many online options for finding good deals and Amazon has options to buy in bulk… which is great for big events such as weddings, reunions, and parties… in fact, our lab will frequently get a box of cameras to develop from such events.

---

How do disposable cameras work and how is the film developed?

Coming soon

---

What is the best disposable underwater camera?

Fujifilm FUJICOLOR QuickSnap Marine vs Kodak MAX Underwater 800 – Which One Is Better?

By far, the Fujifilm is the better camera out of the two. The first two things you’ll notice are color and sharpness. In both areas, the Kodak is underwhelming. There’s a sense of muddiness and blur. Finer details are lost, and the edges of subjects seem to mold into each other without definition. Fuji, on the other hand, is like chalk and cheese in comparison.

See the waterproof camera photo comparisons

The post The Best Single Use Disposable Cameras! appeared first on The Darkroom Photo Lab.

The Pentax 17 is a zone-focus, half-frame compact camera with auto exposure, exposure compensation, and manual film advance. While it gets its lens from an older Ricoh Auto Half camera, the lens has modern-day coatings which, despite it being half-frame, produce very good results! We have been shooting with this camera for the past two months, putting a wide variety of film through it, and have been very impressed with the results, which you can see below!

Zone focus might seem intimidating at first, but halfway through our first roll, it started to become second nature, and after a few rolls, we rarely missed. Speaking of rarely missing, the Pentax 17’s meter is very accurate and offers multiple exposure modes, including Auto, non-flash modes, and flash modes. The Auto mode will pop the flash if needed but will not work in macro mode, which is why we mainly used the program modes. The flash mode features program and a night mode, which goes up to 4 seconds if needed. For the non-flash modes, there is program, a night mode, bulb, and “Bokeh.” The Bokeh mode allows it to shoot at its fastest aperture, which is f/3.5 on its 25mm lens (a 37mm equivalent). The bulb mode will enable you to keep the shutter open for long exposures, for which we recommend a sturdy tripod and the Pentax shutter release, as there is no self-timer for this camera.

We had the pleasure of meeting the Pentax team, including the lead designer TKO, and were amazed by all the thought that went into making this camera, which we talk more about in the video below!

Here at The Darkroom, we develop a wide variety of formats, including half-frame film, which produces double the amount of frames that normal 35mm film does. This is why we offer the option for 1-up scans or 2-up scans, something you can select when making your order. The 1-up scans will give you the full-res individual frame, and the 2-up option will provide two frames per scan.

The Pentax 17 is a camera we’d recommend to beginners as well as seasoned film photographers. While zone focusing might have a slight learning curve, it is pretty easy to master. Once you get the hang of zone focus, everything else is straightforward as it is fully auto except for the ISO selection and the film advance. If you are interested in buying one of these cameras, our good friends over at FilmPhotographyStore.com will be selling them, along with many other places!

The post The Pentax 17: A Brand New Film Camera! appeared first on The Darkroom Photo Lab.

Today, we’re diving into the world of affordable 35mm film, where quality meets affordability. When it comes to scoring the best deals on film, it pays to shop around. While big-name retailers might overcharge, we’ve discovered a gem in the form of filmphotographystore.com. With their commitment to fair pricing, they’re our go-to for stocking up on film without breaking the bank.

In our latest blog post, we’re thrilled to share our top 10 favorite films available for under $10, all courtesy of the Film Photography Project. From vibrant color to classic black and white, there’s something for every shooting style.

But that’s not all, here’s all the 35mm film options for $10 or less at the FilmPhotographyStore.com!

So whether you’re a seasoned pro or just starting your film journey, we invite you to explore the magic of affordable 35mm film. Let’s capture memories, one frame at a time!

The post 10 Under $10: Affordable 35mm Film Picks! appeared first on The Darkroom Photo Lab.

The post Film Photography Meetup 2024: Columbus Ohio appeared first on The Darkroom Photo Lab.

1. Newer Technology: The Nikon FA boasts four exposure modes; manual, aperture priority, shutter priority, and program compared to the Nikon F3’s two modes; manual and aperture probity.
2. Max Shutter Speed: The Nikon FA boasts a fast 1/4000th of a second max shutter as well as 250th flash sync compared to the F3’s 1/2000th max shutter and 60th flash sync.
3. Advanced Metering: The FA features a matrix meter and an optional spot meter, providing photographers with more control over exposure.
4. Built-in Hotshoe: A built-in hotshoe simplifies the process of attaching external flashes, making the Nikon FA a versatile choice compared to the Nikon F3 which doesn’t have built in hotshoe meaning you’ll need the relatively rare hot shoe adapter or a flash sync cable.
5. Weight and Size: The Nikon FA is lighter than the Nikon F3 and since the Fa doesn’t have a removable viewfinder, it is also slightly smaller and more compact.
6. Bright Viewfinder: Both have bright and very big viewfinders and while the Nikon F3 has a variety of interchangeable viewfinders, we find that we rarely use that feature and the removable viewfinder often results in much ore dust in the finder compared to the Nikon FA’s sealed viewfinder which doesn’t allow nearly as much dust to get in.

Below are some images from a roll of Portra 400 taken with the auto program mode on the Nikon FA which shows how accurate the matrix meter is!

AI-S Lenses Compatibility: The Nikon FA is one of only four cameras truly utilizes AI-S lenses, offering matrix metering capabilities. This feature distinguishes it from the Nikon F3 which can use AI-S lenses but since the F3 doesn’t have matrix metering there is no point in getting AI-S as AI and AI-S lenses are basically the same – the only difference is that they allow for matrix metering on certain Nikon cameras.

Affordability: The Nikon FA proves to be a cost-effective alternative, often available at half the price of the Nikon F3. If the F3 is beyond your budget, the FA, along with the Nikon FM and FE, presents compelling alternatives.

Nikon Film System Advantages: Nikon cameras are reliable, built well, and offer extensive lens options. Nikon’s commitment to the F mount lenses over the years means a wide selection of lenses choose from, both from Nikon and third-party manufacturers.

Recommended Platform for Used Gear: Explore KEH.com for your used camera gear needs. As a trusted source, they offer a variety of Nikon bodies and lenses, providing quality options for film enthusiasts.

In Conclusion

The Nikon FA is defiantly a hidden gem, not only in the realm of Nikon but all film cameras. Its advanced features, affordability, and compatibility with a wide variety of F mount Nikkor lenses make it a worthy companion for photographers of all levels.

The post Nikon FA Review: A Hidden Gem for Film Enthusiasts appeared first on The Darkroom Photo Lab.

Italian film manufacturer, Film Ferrania, has released a brand new film, P33, which is a 160iso panchromatic black and white film. Ferrania states that P33, is “a leap forward in black and white photography that seamlessly combines innovation and tradition for outstanding results.” and the results are in fact, outstanding! P33 retains the fine grain and well punchy tones of Ferrania’s P30 80iso B&W film but has a higher sensitivity of 160iso as well a lower contrast, making it more versatile and forgiving than P30.

As you will see the comparison below, P33 has more subtle tones and lower contrast than Cinestill BWXX which is known for it;s punky tones and more noticeable gain. P33 in comparison to Ilford’s FP4 Plus 125, are a much closer look but we find the P33 has slightly better shadow detail and despite being a high iso than FP4, it has finer grain which is very sharp!

Ferrania P33’s 160iso makes it ideal for daylight photography and with its medium contrast and high exposure latitude it’s a great option for landscapes, architecture, and street photography. Its beautiful tones and smooth tonal transitions make it a great for portraiture as well. In comparison to P30, Ferrinia’s 80iso B&W film, it haves less contrast and much more forgiving when it comes under or overexposure. If you like shooting with fine grain B&W film, like: Kodak TMAX 100, Ilford Delta 100 or FP4 Plus 125 but want to try something new, we highlight recommend this film as it has some of the smoothest tones we’ve seen and it truly produces beautiful results. Cinestill is the official North America distributor for this film and will have it for sale February 29th for $11.99.

The post Ferrania P33 Review: A New B&W Film! appeared first on The Darkroom Photo Lab.

As a traditional dip & dunk film lab, we have extensive experience working with both these films, allowing us to provide valuable insights into their unique characteristics and how they can elevate your photographic endeavors.

Development Considerations

At TheDarkroom.com, we have extensive experience developing both Portra 800 and Cinestill 800T. While Portra 800 is generally preferred at box speed for optimal results, Cinestill 800T’s can be shot from 400-6400iso. With the ability to handle pushes up to +3 stops, reaching an impressive ISO 6400, Cinestill 800T becomes an excellent choice for low-light situations, expanding its range and adaptability.

Choosing Between the Two

The decision between Kodak Portra 800 and Cinestill 800T ultimately boils down to your shooting preferences and lighting conditions. If you gravitate towards portraiture and predominantly shoot in natural light, Kodak Portra 800 is the recommended choice. Its warm tones and fine grain make it a reliable option for capturing the essence of your subjects. On the other hand, if your photography ventures into night scenes and low-light environments frequently, Cinestill 800T’s exceptional pushing capabilities make it a formidable companion, ensuring stunning results even in challenging lighting conditions.

The post Portra 800 vs. Cinestill 800T: the two best high speed color films! appeared first on The Darkroom Photo Lab.